
FULL CAST TO BE ANNOUNCED SOON!

JULIA CHO (Playwright) is the author of The Piano Teacher, Durango, The Winchester House, BFE, The Architecture of Loss and 99 Histories, which have been produced at SCR, The Vineyard Theatre, The Public Theater, Long Wharf Theatre, Playwrights Horizons, New York Theatre Workshop, East West Players and The Theatre @ Boston Court among others. An alumna of the Juilliard School and NYU's Graduate Dramatic Writing Program, Ms. Cho is a member of New Dramatists.
MARK BROKAW (Director). For the Roundabout: After Miss Julie, Distracted, Suddenly Last Summer, The Constant Wife. Other Broadway: Reckless and the musical Cry-Baby. New York premieres include Mouth to Mouth, This is Our Youth (New Group); The Long Christmas Ride Home, Stranger, The Dying Gaul, How I Learned to Drive, (Vineyard Theatre); The Busy World is Hushed and Lobby Hero (Playwrights Horizons); As Bees in Honey Drown (Drama Dept.); The Good Times are Killing Me (Second Stage); Old Money (Lincoln Center); 2.5 Minute Ride (Public). Other work includes Guthrie, Mark Taper Forum, Seattle Rep, La Jolla, Steppenwolf, Huntington, Berkeley Rep, Hartford Stage, Long Wharf, Yale Rep, New York Stage & Film, Sundance and the O'Neill Conference. He has also directed at London's Donmar Warehouse and Dublin's Gate Theatre. Mark is the Artistic Director of the Yale Institute for Music Theatre, and is an Associate Artist of the Roundabout Theatre.
The Language Archive full creative team will be announced soon.
MARK BROKAW (Director). For the Roundabout: After Miss Julie, Distracted, Suddenly Last Summer, The Constant Wife. Other Broadway: Reckless and the musical Cry-Baby. New York premieres include Mouth to Mouth, This is Our Youth (New Group); The Long Christmas Ride Home, Stranger, The Dying Gaul, How I Learned to Drive, (Vineyard Theatre); The Busy World is Hushed and Lobby Hero (Playwrights Horizons); As Bees in Honey Drown (Drama Dept.); The Good Times are Killing Me (Second Stage); Old Money (Lincoln Center); 2.5 Minute Ride (Public). Other work includes Guthrie, Mark Taper Forum, Seattle Rep, La Jolla, Steppenwolf, Huntington, Berkeley Rep, Hartford Stage, Long Wharf, Yale Rep, New York Stage & Film, Sundance and the O'Neill Conference. He has also directed at London's Donmar Warehouse and Dublin's Gate Theatre. Mark is the Artistic Director of the Yale Institute for Music Theatre, and is an Associate Artist of the Roundabout Theatre.
The Language Archive full creative team will be announced soon.










